The Gladstone Barrier
I was stalled on my second “transportation engineer” story for a while now. This week I managed to get started again. I am about half way through the first draft now. It seems to be harder to write than the one I did before. In part it is because I’m trying to put more depth into the story. It also draws more from my personal experience and it does affect my emotions when I work on it.
I’ve come up with a new title for it. It was called The Priority Project, but now I want to call it The Gladstone Barrier. I didn’t like the first title so I picked the name of the project at the center of the controversy. After I picked it, I noticed that it has a double meaning that hints at some other aspects of the story.
The Crying Woman
This is the idea for film that I’ve dabbled with for about 18 months now. Someone suggested that I make a film like Before Sunrise, which follows two strangers as they walk and talk through a night in Vienna. I like the film, but I wasn’t sure I could write a script in that style. After all, Richard Linklater felt he needed a collaborator to help him write it.
The story begins with a woman on the elevator. She is alone and cries as the elevator goes down. The door opens and a man gets on. While the woman tries to hide her tears, the man notices and asks her if she is OK. The encounter leads to a long conversation between them. The woman is afraid to reveal the reason for her tears, but desires a sympathetic ear. The man wants to support her, but he too has some secrets that he wants to keep. His motives are complicated.
I think the best approach is to have the film be at least partially improvised by the actors. Since I have never tried that, I am unsure how to proceed. I’ve decided to turn the idea into a short story. Later, I could use it as a basis for the film.
This week I started on an outline. It needs to be filled in some more. I want to go over the notes I prepared earlier for the film and incorporate them into the outline.