Amazon Studios, “Orville Sharkbiter” and “Bright Freedom”

April 8, 2012 by · Leave a Comment 

It was a little bit of everything this last week. At least I made a little progress here and there.

Amazon Studios

Back in 2010, I submitted my script The Doorman’s Sacrifice to Amazon Studios. It didn’t get much interest or feedback. I lost interest in the whole thing. This week I got a note that they’d changed their rules. Initially you had to agree that you gave them an option on the script that lasted for a year and a half. If they wanted to, they could extend the option, but they would pay you for that.

The rule change was to reduce the initial year and a half option to 45 days. They also now allow you to delete the script after the option expires. I decided to delete my script. While they had an option on the script, I couldn’t really do anything else with it. Now I can. Not sure what. I can’t have all my projects on the front burner.

Bright Freedom

I only worked on Bright Freedom for a couple days this week. I still kept it to about one hour each day, so it was a tad over 2 hours I wrote. That got me about 1,800 words. That brings me close to 4,800. Altogether, I think I am almost a fifth of the way through.

I am not too happy with my writing though. It seems like I use the same phrases over and over. It will need a fair bit of rewriting to fix that. I need to talk to some people to see if the basics of the plot are realistic. I suppose I should clean it up as much as I can before I have other people read it. On the other hand, if the plot makes no sense, then that effort would be wasted.

Orville Sharkbiter

I’ve been trying out some Google AdWords to promote my Orville Sharkbiter story. I got some free ad credits a while ago and thought I’d experiment a bit. I did a fair bit of analysis of the statistics AdWords produces. I don’t seem to have much difficulty getting people to click the ad, but if the campaign is to work, I need them to share the page. That hasn’t happened. Yet.

I read a book a short time ago called Made to Stick about how to create viral messages. I used some of the ideas to develop some Ads, but I’m afraid to use them. Some people might find them misleading, and get angry with me. It is not just a mater of attracting people, but it has to be the right kind of people.

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Committed to Write (Bright Freedom)

April 1, 2012 by · Leave a Comment 

I have a bunch of writing projects strewn about undone, so last week I set a goal that I would devote an hour per day writing. I managed to keep it until Thursday. I hope to do better this week.

I wanted to rewrite the Bright Freedom script I wrote into a novel, but hadn’t decided when I would do that. I started on it this week. I got about 2,800 words done. I think it will end up at about 28,000 words, which would make it a novella rather than a novel.

There are some problems with the story and it will need some rewrites. I find that my rewrite still sounds like script directions and not description. In a script you don’t normally describe what people look like, or dress, or behave. You leave that for the actors to develop. In a novella, you can use those descriptions to make the characters more real. It can also be used to create mood. In what I’ve done so far, I haven’t done much of that.

I still need to do some background research on the story. Are the characters believable? I don’t want them to be stereotypes, and, most assuredly, I don’t want them to be offensive stereotypes. I need to find people who have had similar life experiences and get their feedback. I thought that it would be easier if I had a story they could read.

The main character is a woman from a foreign country. I’ve never been a woman. I have visited other countries, but never emigrated to one. While I try to put myself in that mindset, it would be foolhardy of me to assume that I’ve got it right.

At my one hour a day pace, it would take me six weeks to finish the initial rewrite. I expect that I will hit the wall at some points where what I have in the script just isn’t what I want. Part of me wants to just do a straight conversion, while another part wants to rewrite as I go along.

We’ll see how it goes next week.

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First Draft of “Bright Freedom” Done

December 29, 2010 by · Leave a Comment 

I finished the first draft of Bright Freedom yesterday. It came in at just under 68 pages, which is a couple pages shorter than the first drafts for Then the Phone Rang and My Detective Story. It is about a page longer than my first draft of The Doorman’s Sacrifice.

Before I started to write, I made estimates of how long each scene would be. I came up with 91 pages. In the first half of the script, my scenes were shorter than I estimated by about one third. In the second half, I was still short, but not by as much.

I took some time off between the first half and the second half to revise The Doorman’s Sacrifice for Amazon Studios and write the first draft of my Lester Dent style adventure story. I think those experiences helped improve my writing, which is why I had longer scenes. I read up on how to write dialog and that helped too.

I have a short description for the story now.

Throughout her legal career, Bright Freedom has helped the weak against the strong. One day she sees a face from a past she wanted to forget. While she struggles with two difficult cases and the problems of her assistant, Bright must risk her life to reconnect with those she left behind.

I need to do more research on the background to this story before I can finish it. I may use my draft to approach some people who can help me with background.

In the mean time, I want finish My Most Difficult Case and my Lester Dent style adventure story.

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How Many Scripts Do You Have to Write Before You Learn How to Write a Script?

December 26, 2010 by · 2 Comments 

At the start of this year, I set a goal of writing three feature scripts by the end of the year. I’ve done two and am a little over half way through the third. I think I’ll get it (Bright Freedom) done this week.

The reason I picked three was that in Dov Ss Simens book From Reel to Deal he said you needed to do three. Or least I think he did, it’s been a while since I read it now.

This week I watched an interview with Robert McKee about script writing.

He says that you need to finish 10 scripts before you have mastered the art. He also says that part of that is a matter of maturing, which can take 10 years!

I felt discouraged about this, but then I have a lot of experience in other types of writing, which I hope will cut down the time I need to develop. In any event, I have had the attitude that I needed to learn more about the art of script writing. I know that I still have much to learn. I may need to write a few more scripts before I write one that really is good.

Another point McKee makes in the interview is that the writer should not expect that the dialog he writes would make it to the screen unchanged. That makes me feel better, because it is similar to what I said in my article How to Write a Feature Movie Script Part One.

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Mad Dash to Finish “Bright Freedom”

December 19, 2010 by · Leave a Comment 

I want to get back to work on my script Bright Freedom this week. I’m confident that I will meet my goal to finish three scripts this year.

The script sat idle for a month. I started to reread what I’ve done so far, and review the outline. It will take me a day or two to get back into the story. The script is almost half way through and is shorter than I want it to be. I won’t try to fix that in the first draft.

While I think I have a good story, I don’t plan to make the film and want to do it to learn more about writing. My experience tells me that I still need to learn more about plotting so that my stories don’t come out s short. Another area I need to focus on is dialog.

I found this video about dialog that I found helpful: http://www.ehow.com/video_2390566_write-dialogue-movie-script.html

When I read From Reel to Deal by Dov S-s Simens, he suggested that reading legal dispositions was a good way to learn how natural dialog looked. I haven’t done that. I’m not sure where you would find legal dispositions. I think there must be other sources for natural dialog, but I’m not sure where to find them either. I’ll have to get onto Google one of these days.

Along the same lines, I started to analyse the words I use in my writing. I worry that I over use some words, like anything, something and nothing. I did a word frequency count with the website: http://www.csgnetwork.com/documentanalystcalc.html . I compared some of what I wrote to the Doc Savage book Fear Cay. I noticed some differences, but some reflected that he wrote it in 1933. It might be a good idea to compare my writing to a more recent book, or script.

I want to have my characters use slightly different vocabularies, which is true of real people, so I need to be more aware of the words I use.

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More Scenes or Longer Scenes?

November 17, 2010 by · Leave a Comment 

I finished the outline for Bright Freedom last week, and wrote 14 of the 42 scenes I identified. I expected that I would have a 90-page script by the end, but the scenes are shorter than I thought they would be. I may only get a 50-page script. I’ve had similar problems with my earlier scripts, but this seems even worse.

I’ve asked myself should I try to make my scenes longer, or add more scenes? Do I add more events to the film, or to make the events bigger?

I’ve read that the average scene should be about 3 pages and a page typically translates into about one minute of screen time. My average scene is 1.4 pages, so I would need 65 scenes to get a 90-minute film.

I think that I should develop my scenes more. I tend to write scenes very focussed on plot and don’t make much effort to portray the characters. If I did that more often, my scenes would be longer. I hope it would make the characters more interesting to the audience.

When I did the rewrites for The Anger Trap, only about 20 per cent of the increased length of later drafts was due to adding scenes. The rest came from longer scenes.

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Bright Freedom

November 7, 2010 by · Leave a Comment 

I started on a new movie script this week. My other projects: My Most Difficult Case and Then the Phone Rang are hanging fire while I get some other people involved. I wanted to get to work on something, so I went back to a project, called Bright Freedom, which I’ve been playing with off and on for a long time.

I’ve been stalled on the story because I really need to do a lot of background research to do a proper job of it. I kept finding excuses to put off the research. I did manage to determine that the basic premise of the story is plausible. I decided that was good enough to start writing. I will still need to do more research before I can do a final version of the script. I think it may be easier to do the research once I have a draft of the script. I hope that doesn’t sound like famous last words.

I am not sure if I want to make Bright Freedom into film in the end. Right now, I see it as a development exercise. The more scripts you write, the easier it is to write. I also believe that the quality of my writing will improve. It will be a challenge because the protagonist is not only a woman, but is a woman from a very different culture than I’m familiar with. That is the reason why I expect that I will need to do more research to finish it. Either that, or find someone to collaborate with.

Someone told me I made my female characters more self confident, strong and independent than they should be. I’m not sure if that is true. The protagonist in this story isn’t someone to wait around for a big strong man to come save her. I’ve meet people like her, so I think that is realistic.

I got about halfway through the outline this week. I am doing a more detailed outline than I did for Then the Phone Rang, but less detailed than what I did for The Anger Trap or my detective story. I expect it to take longer to write. I am also confident that the first draft of the script will come in longer. Certainly closer to feature length than the other projects I’ve done.

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